Envelhecer traz em si significações negativas que se agravam em situação de reclusão. Os procedimentos metodológicos pautaram-se em estudo bibliográfico e pesquisa em banco de dados. Os artigos encontrados foram organizados, analisados, chegando à conclusões como a falta de pesquisas sobre a mulher idosa encarcerada. Por isso, foi realizada a entrevista semi-estruturada com uma senhora sentenciada à privação de liberdade em São Paulo, Brasil. Os dados da pesquisa revelaram que a vida em regime fechado é precária para a mulher idosa (...) e, que se faz necessário repensar as políticas públicas priorizando medidas educativas e artísticas no ambiente prisional. (shrink)

A book review of Jon Robson, Aesthetic Testimony: An Optimistic Approach. Oxford: Oxford University Press, 2022, x+166 pp. ISBN 9780192862952.

Cases of akratic behavior are generally seen as paradigmatic depictions of the knowledge-action gap (Darnell et al 2019): we know what we should do, we judge that we should do it, yet we often fail to act according to our knowledge. In recent decades attention has been given to a particular instance of akratic behavior, which is that of “inverse akrasia”, where the agent possesses faulty moral knowledge but fails to act accordingly, thus ending up doing the right thing. In (...) particular, two literary examples are considered as exemplifying this kind of akratic situation: Huckleberry Finn (Arpaly & Schroeder 1999, Arpaly 2000, Hursthouse 1999, Kleist 2009, Holton manuscript) and Neoptolemus as understood by Aristotle (NE; Arpaly & Schroeder 1999). In this paper I will argue that those of Neoptolemus and Huck Finn are not cases of inverse akrasia (Holton manuscript) but are much better explained as instances of what Williams (1993) called “moral incapacity”. In particular, the reason why they fail to act according to their original judgments is due to a lack of motivation to act accordingly, which is grounded in their moral self-identities (Blasi 1984; Vigani 2016). The paper will unfold as follows: I will, first, argue that neither Neoptolemus nor Huck Finn show akratic behavior; thus, they cannot be legitimately labeled as “inverse akratics” (par 1.); then, I will argue that they act the way they do notwithstanding their faulty judgments because they are effectively motivated to do so. Such motivation originates in their moral self-identities and is experienced through the threat of self-betrayal (par 2); finally, I will argue that when an agent is motivated to act in a way that is integral with her moral self-identity, acting otherwise is experienced as something one cannot ultimately do; that is, as a moral incapacity (par 3). This “cannot” is neither a metaphor for an “I shouldn’t”, nor an instance of what has been recently labeled a “moral impossibility” (Caprioglio Panizza 2020, 2021), since it does not arise from the normative force of deontic judgments, and it is neither physically nor psychologically impossible for the agent to act otherwise. (shrink)

En el presente artículo nos hemos propuesto analizar las variantes textuales griegas relativas a los términos “vino” y “vinagre” dentro del contexto neotestamentario de la Pasión de Cristo, así como sus correlatos en la traducción de los Evangelios en antiguo eslavo. Como resultado de dicho análisis, hemos detectado una tendencia a introducir el término “vinagre” por parte de la tradición textológica del Nuevo Testamento griego, que es secundada además por otras tradiciones, como la siríaca o la eslava.

Arthur Danto's The Abuse of Beauty was a significant contribution to the acclaimed return of beauty that had been taking place since Dave Hickey's 1993 manifesto announced that beauty would be the defining problem of the next decade. One of the most original and important aspects of Danto's look at beauty is that he thought about it as a contribution to art criticism. External aesthetic qualities would be as meaningless as natural beauty intended to play role in conveying a work (...) 's meaning, constitute the aesthetic dimension of the work. For Danto, elegiac beauty can provide political role for the aesthetic quality, but the impossibility of what could be termed an “angry beauty,” capable of outraging people, seriously limits the option of beauty in “angrily political” contemporary art. Danto thought that activist art will try to inflect works with an angry mood in order to turn people against what they are about. (shrink)

Virtual Reality has often been referred to as an “empathy machine.” This is mostly because it can induce empathy through embodiment experiences in outgroup membership. However, the potential of intergroup contact with an outgroup avatar in VR to increase empathy is less studied. Even though intergroup contact literature suggests that less threatening and more prosocial emotions are the key to understanding why intergroup contact is a powerful mean to decrease prejudice, few studies have investigated the effect of intergroup contact on (...) empathy in VR. In this study, we developed a between-participants design to investigate how VR can be used to create a positive intergroup contact with a member of a stigmatized outgroup and present the results of the effect of intergroup contact in VR on empathy. Sixty four participants experienced either positive contact with a black avatar or no intergroup contact, with situational empathy being measured through a self-report questionnaire up to a week before and right after the VR contact experience. The experiment showed that satisfying degrees of body ownership of participants’ own avatar and co-presence with the contacted avatar can be achieved in simple and universally accessible virtual environments such as AltspaceVR. The results indicated that while VR intergroup contact had no significant direct effect on empathy, exploratory analyses indicated that post-intervention empathic interest increased with stronger feelings of co-presence in the intergroup contact condition. (shrink)

Summary For the study of the first year of life, Sander, Stern, and Gomez each chose the adult–infant relationship as the unit of analysis; they followed its development, respectively, in moments of meeting, in the proto-conversation and in the focus of attention. The authors explicitly refer to the Gestalt theory and support the need to interpret the behavior of the child as part of a wider context, as the experiences of a person in relation since birth.

In this paper, we propose a methodology of analysis for new videographies based on an analytical grid. We base our epistemological starting point on various critical cultural study authors, a semiotic analysis, and a critical discourse analysis. We apply the grid to a case study composed of a series of videos titledIdentibuzz: Hybrid identities, which was created within UBIQA, a Basque social innovation laboratory. In order to fully grasp the results of the analysis, we briefly outline some data referring to (...) transnational migrations in Spain as well as the representation of immigrants in Spanish mainstream media. We then compare the representations of immigrants in the videos to that in mainstream media to analyze the dissection between new videographies and more traditional video genres. (shrink)

En este trabajo presentamos los fundamentos teóricos de una propuesta para el abordaje didáctico de concepciones teleológicas de los y las estudiantes en la enseñanza de la Biología. La propuesta en cuestión supone acudir al modo en que Darwin lidió con las concepciones teleológicas dominantes entre sus contemporáneos, para proponer una estrategia general a través de la cual se podría incidir sobre las intuiciones teleológicas de los estudiantes, de modo que se pueda facilitar el aprendizaje de la teoría de la (...) selección natural. Sugeriremos también que esta propuesta implica un modo original de apelar a la analogía entre el cambio teórico en la Historia de la Ciencia y el aprendizaje de las ciencias. (shrink)

A reflection on the aesthetic status of some typical objects of everyday life, and the relationship we have with them, may originate from the development of “aesthetic experience” by John Dewey and Neopragmatism. The continuity between the common practices and aesthetic ones determines the significance of ordinary objects if they are linked to a project of enrichment and fulfillment of experience. A case that thematizes the richness of these practices in the contemporary world, and also the related theoretical and critical (...) problems, is the production of skateboards. An established artist like Damien Hirst collaborates with the NYC-based streetwear brand Supreme; a new London-based brand, Palace Skateboards, and Tate realize together a few skateboard and a video. (shrink)

In this seminal study, Barbara Galli explores Rosenzweig's statement that his notes to Halevi's poems exemplify a practical application of the philosophic ...

The book is an intellectual analysis of the political ideas of English radical thinker Thomas Spence (1750-1814), who was renowned for his "Plan", a proposal for the abolition of private landownership and the replacement of state institutions with a decentralized parochial organization. This system would be realized by means of the revolution of the "swinish multitude", the poor labouring class despised by Edmund Burke and adopted by Spence as his privileged political interlocutor. While he has long been considered an eccentric (...) and anachronistic figure, the book sets out to demonstrate that Spence was a deeply original, thoroughly modern thinker, who translated his themes into a popular language addressing the multitude and publicized his Plan through chapbooks, tokens, and songs. The book is therefore a history of Spence's political thought "from below", designed to decode the subtle complexity of his Plan. It also shows that the Plan featured an excoriating critique of colonialism and slavery as well as a project of global emancipation. By virtue of its transnational scope, the Plan made landfall in the British West Indies a few years after Spence's death. Indeed, Spencean ideas were intellectually implicated in the largest slave revolt in the history of Barbados. (shrink)

I think it will be generally admitted that if Oxford philosophers have any claim to have added in recent years to the store of our philosophical ideas, it lies in their published works on the theory of conduct. I don’t think it can be claimed that, even in this sphere, they have given us many new and illuminating positive truths. After reading Mr. Ross, Professor Prichard, and Mr. Joseph, we are left, I think, with the impression that the whole subject (...) is much more intricate and puzzling than we should have thought possible. I intend in this paper to try and discover what is true in the theories of these three moralists on one of the most difficult and puzzling of ethical problems, viz., “What Renders a Right Act Right?” Professor Prichard and Mr. Ross, in the main, stand together; it is regrettable that Professor Prichard's published work is so very meagre. And if in quoting from his article in Mind , 1912, on “Does Moral Philosophy Rest on a Mistake,” I am doing him an injustice in attributing to him any views which he no longer holds, I am sorry; but modesty in publishing has its penalties, and anyhow, the article is too guilty an offender to get off free, for its annoying subtleties started the whole trouble, and led indirectly to Some Problems in Ethics and the Right and the Good. (shrink)

In the late fifteenth centuryMuscovy an intellectual ecclesiastical elite promotes the production of treaties on calendar tables for the calculation of the Easter date (Paskhalia) in order to quell the unrest, that the end of the seventh millennium caused. In addition, in the Paskhalia there are controversial issues against Judaizing Heresy and againstWesternisers. At the same time, the treaties outline the basis of Muscovite hegemonic political ideology.

The Abuse of Beauty can be seen as the beginning of a “turn” in the philosophy of art of Arthur Danto, based on the conceptual divorce between art and aesthetics, through which he has vindicated a significant role for the aesthetic in the art of today. However, Danto is still reluctant to make aesthetics part of the definition of art. The paper analyzes some of his most relevant new concepts and examines their implications for that central thesis of his theory (...) of art. (shrink)

Le origini della scienza sociale in Gran Bretagna sono da rintracciare nella storia del movimento filantropico. Fu nel circuito delle associazioni caritatevoli, infatti, che l’espressione «social science» iniziò a essere precocemente utilizzata nel 1790. Più in particolare, fu la filantropia stessa a essere concettualizzata come scienza dell’ordine sociale, volta a estrarre informazioni dalla società per perfezionare l’«arte» di governarla. La carità organizzata ispirò altresì l’istituzione della Social Science Association nel 1857.